2024-2025 Season
Thursday, Friday, and Saturday evening performances are at 7:30 pm.
Our Second Weekend Sunday Matinee begins at 2pm. Doors open 30 minutes before showtime.
Our Second Weekend Sunday Matinee begins at 2pm. Doors open 30 minutes before showtime.
The Importance of Being Earnest
by Oscar Wilde directed by Hannah White Underwritten by Anne and Stephen Steele Performances October 3 - 19 at 7:30 Sunday Matinee October 13 Auditions August 3 & 4 he Importance of Being Earnest follows the hilarious adventures of John Worthing and Algernon Moncrieff, two friends who use elaborate lies to escape their responsibilities. Their deceptions lead to a series of misunderstandings and comedic mishaps when Cecily Cardew and Gwendolyn Fairfax meet under false pretenses, believing that they are both engaged to the same man. Their interactions are filled with misunderstandings, witty banter, and a healthy dose of competition. Despite their initial rivalry, they eventually bond over their shared love for the name "Ernest" and their desire for a romantic life. The Importance of Being Earnest is a must-see for fans of classic comedy and anyone looking for a night of laughter and entertainment.
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I Hate Hamlet
by Paul Rudnick directed by Nancy Woods Underwritten by Performances December 5 - 15 Matinees December 8 & 15 Auditions October 7 & 8 This witty and irreverent play explores the complexities of acting, the pressures of fame, and the eternal struggle between art and commerce.
I Hate Hamlet follows the story of Andrew Rally, a struggling actor who is offered the role of Hamlet in a prestigious Broadway production. As he grapples with the challenges of playing one of Shakespeare's most iconic characters, Andrew is haunted by the ghost of John Barrymore, a legendary actor who once played the same role. Filled with sharp wit, clever dialogue, and a healthy dose of meta-theater, I Hate Hamlet is a must-see for fans of comedy and theater alike. 
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A Bad Year for Tomatoes
by John Patrick directed by Chaz Pitman Underwritten by Performances January 30 - Feb 15 Sunday Matinee February 9 Auditions December 9 & 10 Fed up with the pressures and demands of her acting career, the famous Myra Marlowe leases a house in the tiny New England hamlet of Beaver Haven and settles down to write her autobiography. She is successful in turning aside the offers pressed on her by her long-time agent, but dealing with her nosy, omnipresent neighbors is a different matter. In an attempt to shoo them away, and gain some privacy, Myra invents a mad, homicidal sister—who is kept locked in an upstairs room,
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Shipwrecked: An Entertainment
by Donald Margulies directed by Kathryn Sutton Underwritten by Alan Bryant and Mark & Linda Bendiksen Performances April 3-13 Matinees April 6 & 13 Auditions February 3 & 4 Shipwrecked! An Entertainment tells the grand tale of Louis De Rougemont, a famous adventurer who gets lost on the high seas and ultimately ends up seeing fantastic things and meeting exotic people. The story is told to the audience by Louis himself, who is proud to have the viewers come along, as he retells the story of his journey from the seas of England to the exotic lands of Aboriginal Australia and back again. He is aided in his retelling by two highly talented players, who play all of the people (and animals) that Louis meets along the way, all while providing sound effects and scenery changes, seamlessly. All might not be as it seems, however, as the truth of Louis’ great tale is called into question by multiple experts. Shipwrecked! brings the joy of storytelling alive, and questions whether a story being real or fabricated makes the journey any less treasured.
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Jeeves in Bloom
adapted by Margaret Raether directed by Jay Thompson Underwritten by Performances May 22 - June 7 Sunday Matinee June 1 Auditions April 7 & 8 This charming play follows the misadventures of Bertie Wooster and his resourceful valet, Jeeves, as they navigate the complexities of love, friendship, and high society.
Bertie finds himself in a predicament when he becomes entangled in a romantic rivalry. With his trademark bumbling and Jeeves's impeccable problem-solving skills, Bertie must navigate a series of hilarious situations to win the heart of his beloved. Jeeves in Bloom is a timeless comedy filled with witty dialogue, eccentric characters, and a touch of British charm. It is a must-see for fans of P.G. Wodehouse.
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The Drunkard
adapted by Andi Scott directed by Jennifer Hargis Underwritten by Alan Bryant Performances July 17 - August 2 Sunday Matinee July 27 Auditions May 26 & 27 The original melodrama, once promoted by P.T. Barnum himself! Our heroine, Mary WIlson, and her mother are in danger of having their humble home foreclosed on. Enter the villain, Lawyer Cribbs, who wants their cottage for his own, as well as the heroine! When the heroine marries hero Edward Middleton, the villain tricks him into drinking spirits for the first, sending him into a tragic spiral. Meanwhile his best friend William Dowton spends years trying to save Edward and help his own sister, Agnes, who knows a secret about Edward's father's will. Prepare yourself to cheer, boo, hiss, and throw popcorn!
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Fundraisers
Season Tickets/Flex Passes cannot be used for these events.
The 39 Steps: A Live Radio Play
adapted by Joe Landry directed by Kassandra Maduzia October 25 & 26 A radio-adaptation of Alfred Hitchcock's classic thriller, The 39 Steps.
This immersive experience will transport audiences back to the golden age of radio with its authentic sound effects through live Foley artistry, and talented ensemble cast. As Richard Hannay finds himself caught up in a dangerous conspiracy, audiences will be on the edge of their seats, following the twists and turns of the story. The 39 Steps is a thrilling adventure filled with suspense, humor, and a touch of the absurd. It is a must-see for fans of Hitchcock's films and anyone looking for a unique and entertaining theatrical experience. 
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Holiday Singalong
with Mark Bendiksen One night only! December 21 at 7:30 Join us for an evening of holiday singing and help raise FUNds for StageCenter.
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All I Really Need to Know
I Learned in Kindergarten adapted by Ernest Zulia directed by Jennifer Reiley April 24 - 27 Matinee April 27 Auditions March 8 & 9 Winning acclaim from Prague to Singapore to America, this evening of theatrical storytelling features a host of colorful characters. This tightly woven stage adaptation uses a revue format, with monologues, dialogues, and multiple voice narration to create a wonderfully funny, insightful and heartwarming look at what is profound in everyday life.
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